To hell with world cup, celebrations, yagams, vacations సోమవారం, ఏప్రి 25 2011 

Opinion/Open Page, The Hindu April 24,2011

Our farmers are dying, to hell with the World Cup
Narendra Shekhawat

Yes, you read it right; to hell with the World Cup; to hell with the celebrations; to hell with all the free land and money being showered by different governments on the players. How can I jump, scream, have gallons of beer and cheer for the nation when a few kilometres away the farmers and feeders of my country are taking their own lives in hordes?

Do you know that, on average, 47 farmers have been committing suicide every single day in the past 16 years in our shining India — the next economic power, progressive with nine per cent growth? (మరింత…)


Hyderabad architecture ఆదివారం, ఏప్రి 24 2011 

Regal grandeur: A richly embellished archway at the Falaknuma Palace. High ceilings, use of lime and mortar in construction, plenty of cross ventilation and courtyard spaces, which typified the city’s architecture for centuries, are now almost extinct due to lack of adaptation.-Photo: Nagara Gopal

source: The Hindu April 23, 2011

Vaikuntam’s rural Telangana మంగళవారం, ఏప్రి 5 2011 

Familiar figures
Gargi Gupta / Business Standard, April 02, 2011 New Delhi

Despite what the title of his latest exhibition claims, Thota Vaikuntam’s subject of choice remains images from Telangana.

In the increasingly city-centric world of Indian art, Thota Vaikuntam is one of the few painters who continues to be preoccupied with rural India. Though he has been living in the city of Hyderabad for many years now, the men and women Vaikuntam saw as a little boy growing up in his native Boorugupally village in rural Karimnagar continue to people his canvases.

He has painted them again and again over the past three decades, capturing them in all their vivid splendour — bright printed saris and colourful jewellery, their foreheads, palms and feet anointed with large tikas in red and yellow. These are not realistic portraits, but flat, caricatures that are delightful nonetheless. They have become Vaikuntam’s signature that assures him both loyal collectors and a healthy premium in the art market. And over the past few years, his stock has been rising with a large, untitled canvas from 2007 topping Rs 30 lakh at Saffronart’s winter auction in December 2010. (మరింత…)